Remembering Apostolia Papadopoulou: Guardian of Asia Minor’s Cultural Heritage

The tale of the refugee describes the Greek Nation from the Fall of Constantinople till the 1821 Greek Revolution. “For a good man to leave  his city, his rich fields and go a-begging is of all things the most miserable. Wandering with mother dear and aged father with little children and wedded wife. For hateful shall such an one be among all those to whom he be among, all those to whom he shall come in bondage, to want loathsome penury (poverty) and doth shame to his lineage and belie his noble beauty followed by all evil and dishonor,” – ancient Greek poet Tyrtaeus.1

            The late Apostolia Papadopoulou.

Exile, a person without a country was the life of a Greek. But it was more bitter for the vast and less fortunate majority of Greeks from the conquered Byzantine Empire. Victor Davis Hanson, Classicist, military historian, and political commentator explained the horrific treatment of Greeks and Armenians who experienced genocide under Ottoman rule. “Greeks experienced from 1453 with the Fall of Constantinople, 400 years of Ottoman rule that ended in horrific treatment in Smyrna 1922,” he said.2

            Dr. Isaak Papadopoulos, Assistant Professor of Pedagogy and Literacy Department of Early Childhood Education and Care at the International Hellenic University Thessaloniki, Alexander Campus in Sindos, related the amazing story of his late grandmother, Apostolia Papadopoulou, who passed away in October 2023. Mrs. Papadopoulou was “ a remarkable individual whose roots traced back to the rich cultural tapestry of Asia Minor. She passed away at the age of 86, leaving behind a legacy deeply intertwined with the heritage and traditions of her ancestors. Apostolia Papadopoulou was not only a guardian of her family’s cultural heritage, but also a beloved grandmother.” She inspired Dr. Isaak Papadopoulos to be a scholar, contributing to the perpetuation of the culture of the Greek community of Asia Minor/Western Anatolia. Grandparents inspire their grandchildren to remember their family’s roots.

            Flooded Omorfohori, September 2023

“Her life’s work revolved around preserving the traditional way of life of the Asia Minor people,” explained Dr. Papadopoulos. “She did so from the heart of Omorfochori in Larissa, Greece. Apostolia Papadopoulou’s story is a testament to the resilience and tenacity of the Greek people who, over the centuries, endured challenges and upheavals while preserving their unique cultural identity. Born to a family with roots in Asia Minor, Apostolia was deeply connected to a heritage that was rich in traditions, cuisine, music, and language. Her ancestors had once called Asia Minor home until the population exchange of 1923, when they were forced to leave their ancestral land and make Greece their new home.”

  – Agios Giorgo, before the flood

“Apostolia’s life unfolded in the charming village of Omorfochori, nestled in the region of Larissa, Greece,” said Professor Papadopoulos. “Here, she dedicated herself to preserving the traditional way of life and customs of the Asia Minor people. Omorfochori became a haven for those who sought refuge from the turbulent times of the early 20th century. It was within this picturesque village that Apostolia’s unwavering commitment to her roots came to life.

She was a guardian of the traditional cuisine, cooking up recipes passed down through generations, ensuring that the flavors of Asia Minor were not lost to time. Her kitchen was a place where generations gathered to savor the culinary delights of her ancestors, sharing stories and bonding over the meals that connected them to their past. Apostolia Papadopoulou’s legacy extended beyond her preservation of cultural traditions.” Her grandson, Dr. Isaak Papadopoulos, inherited her passion for preserving their family’s heritage. Together, they continued to document and share the stories, songs, and recipes that had been passed down through the generations.  Her dedication to preserving the traditions, flavors, and sounds of her ancestors ensured that the legacy of Asia Minor lives on in the hearts and minds of those who knew her and the generations to come. Her life’s work in the charming village of Omorfochori in Larissa, Greece, serves as a shining example of the enduring power of cultural heritage and the profound impact one person can have in preserving it.

Sts. Raphael and Nicholas before the flood

They did not have cell phones, no welfare, food stamps, free lunches, medical care, or advocacy groups trying to help them. The Western Anatolia refugees were from the business, maritime and education communities, The 1922 refugees of the Greek Genocide of Asia Minor in Western Anatolia, were destroyed by Western Powers, who dismembered the Ottoman Empire by using ultra nationalistic groups. They came to Greece, traumatized with Greek Orthodox icons. “Unwelcomed,” said Scholar Efrosini Mancini of a Constantinople Family with Phanariot roots (Greek ruling class of Ottoman Empire). “No one wanted the 1923 refugees.” Called “”tourkospori” or “seeds of the Turks”, they came to Greece with their knowledge of Greek language, civilization, and Greek Orthodoxy.

I met Dr. Isaak from a workshop hosted by the Greek teachers Association “Prometheus”. His research shows the Asia Minor refugees built churches and schools, transforming their area. “My village was named “Nechali” as there were only some native people there when refugees from Asia Minor came,” explained Dr. Isaak. “They created a new village just next to Nechali and they renamed it ‘Omorfochori’, My great grandmother told me that when she came to Greece, she felt really sad. She was afraid because of the unknown. They came to Omorfochori. They were given a small building for a house and a cow. They tried to survive.  They did it because they were very hard working.”

            “Naturally, the refugees focused on two key factors: religion and education., explained Dr. Isaak. “The religious faith of the people of Asia Minor was great. There was a chapel in almost every house. They also showed great reverence during the holidays as most of them fasted, especially on Wednesdays and Fridays. Priests were also respected and loved like their parents. Respect for the elders was the main element then. The metropolis of the village was the church of Agios Athanasios… Agios Charalambos in Hassambali,  Ascension Church on Mount Mopsio and the church of Agios Georgios, in the center of the present village.

            Omorfohori, the village that Mrs. Apostolia Papadopoulou was destroyed at the end of her life in September 2023. Hurricane Daniel destroyed Magnesia, Karditsa, Larissa and Central Greece was s destroyed by rains, floods, and rising waters of the Pineios river. Palamas, Omorfohori and other villages have vanished under floods and mud.  Dr. Papadopoulos believes “Though the Floodwaters have changed the landscape of our lives, they can never wash away the spirit of our community. We may be scattered, but we remain united in our hearts.”4

             

Consul General of Greece in New York Konstantinos Konstantinou, explained on October, 20, 2023 at radio host/journalist Dimitris Filippidis program that “an exhibition of the Asia Minor Catastrophe will be held from November through December. All that happened in Western Anatolia is part of the Greek nation’s history. This must be kept alive. Our youth must remember who and what we are. Grandchildren must learn about their grandparents lives and history in Asia Minor.who and what we are.

            Mrs. Apostolia Papadopoulous’ legacy is in the hearts of the persons who enjoyed her culture stories with her Asia Minor cuisine. “What you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others.”- Pericles.

All photos by Dr. Isaak Papadopoulos.

References:

  1. https://www.greeknewsusa.com/remembering-the-200th-anniversary-of-greece-independence-the-origins-of-the-greek-nation/
  2. https://victorhanson.com/the-origins-of-war-in-gaza/
  3. https://greekamericanexperience.wordpress.com/2020/10/23/what-happened-to-the-survivors-of-the-1923-asia-minor-catastrophe/
  4. https://hellenicnews.com/greece-2023-thessaly-destruction/

Photos:

Photo 1- The late Apostolia Papadopoulou with grandson Dr. Isaak Papadopoulos

Photo 2- Flooded Omorfohori, September 2023

Photo 3- Agios Giorgos, before the flood

Photo4- Sts. Raphael and Nicholas before the flood

Photo5- September 9th Omorfohori.

Book Review: PARADISE LOST, Smyrna 1922

By Catherine Tsounis

Milton, Giles. PARADISE LOST: Smyrna 1922,  Perseus Book Group, New York, 2008.

            “PARADISE LOST, Smyrna 1922, The Destruction of a Christian City in the Islamic World” has eyewitness accounts and memories of survivors, many interviewed for the first time. The descendants of the Levantine Western European wealthy families’ letters and memories of survivors, many interviewed for the first time present an image of a Christian city free to live in the Ottoman Empire.

The non—Muslim civilians of Smyrna believed that American and European warships would intervene if and when the Turkish Calvary decided to enter the city. “PARADISE LOST” describes the quality of destruction. Allied battleships Smyrna harbor were given strict instructions not to rescue Greeks and Armenians who were tortured, raped, and killed before their eyes. George Horton described this in his book “Blight of Asia.” During the 100th Anniversary of the Asia Minor catastrophe, original sources should be read. My impression? Everyone who lived in Smyrna in 1922 who went to Greece went poor and stayed poor for three generations. They had a high standard of living under the Ottoman Turks that was destroyed by interference of Western powers who wanted the wealth of the Ottoman Empire. If life was so bad under Ottoman rule, why is it one hundred years later everyone cries for the lost lands and wealthy lifestyle before the Western powers interfered and deserted the Christians?

We have all read in the history books of the sacking and destruction of cities. No one expected to relive this in 1922. American Consul, George Horton said “ one of the keenest impressions which are brought away was the feeling of shame that I belonged to the human race.” The New York Times made a bold statement of fact: Smyrna wiped out.1

Izmir Museum

            Author Milton proves in the 426 pages that Western governments who created this crisis, displayed callousness towards their own nationals. They abandoned refugees to their fate, so not to jeopardize the chance of striking rich deals with the new victorious Turkish regime. Missionary Asa Jennings extraordinary rescue operation in the modern age saved multitudes. Two thousand years of Christian civilization in western Anatolia created a new country: Ataturk’s Turkish Republic.

            “The Commandments of the Comite Union and Progress (sic)” was the minutes of a secret conference attended by the minister of the Interior, Talaat Bey, and others in 1914. The outline arrests, deportations, marches, execution of all males, priests, and teachers. Only girls and children were to be islamicized.2 Plans were meticulously executed exactly as written. This document was filed away in the public office of the Director of Public Safety in Constantinople. It was forgotten.

            What makes this book stand out to the readers is Consul George Horton listening to two American journalists’ conversation. Constantine Brown and John Clayton described the terrible events on the USS Litchfield ship, as the Turkish forces were occupying Smyrna. One of the men tore his account of the day’s events. “I can’t send the stuff,”  he said to his colleague. “It’ll  harm me clearly at Constantinople.” The man exchanged notes, agreed that American Admiral Bristol would be furious if he read such stories.Adm. Bristol wanted the world to be ignorant. Turkish straw cities engineered not must be unknown. Journalists Brown and Clayton promise to protect American interests as a condition of the passage to Constantinople on the ship. Instead, they became the Greek atrocities

.

Izmir Museum

Horton was horrified by what he was hearing. ”It  struck me as curious, that men in the presence of one of the most spectacular dramas of history should think in their ability to hurry away to find something that would offset it.” The two journalists authored a shocking article on exactly what did not take place. They wrote “The discipline and order of the Turkish troops have been excellent,”  in a report published in the Daily Telegraph 1922. “When one considers they just marched through a country laid waste by the Greek army, with thousands of Muslims slain, this is nothing short of remarkable. After 48 hours of the Turkish occupation, the population has begun to realize they are not going to be a massacre.”4Fake News. It took one hundred years later for the truth to be revealed.

Milton reveals that the British ships were allowed after the evacuation deadline to enter the harbors of Urla, Chesme and Ayvalik f your lot judgment to take away tens of thousands of Christians. Turkish General Noureddin let them do the evacuation, because it was in his best interest to cooperate with Allied powers. The Allied powers had become the instruments of the nationalists’ domestic policy: to rid Turkey for the last time of its troublesome minorities.

Milton paints a portrait of the survivors lives in Greece, which is handed down to each generation. The grim reality was that they were penniless, unemployed, homeless, and treated as third class citizens. Many Greek and Armenian families emigrated all over the world. Many never recovered the loss of all their possessions.

Ephesus

George Horton wrote what his eyewitness account in his book “The Blight od Asia” published in 1926. It criticized the Turks and the policy of the American government. His book was heavily criticized by the American establishment.

The question is why would no one help victimized Christians in Greece? All aid went to Kemal Ataturk’s Turkish government. Giles Morton tackles this question directly. American Admiral Mark Bristol remained pro-Turkish to the end, urging the State Department not to get involved in the refugee crisis in Greece. American bureaucrats read his memos with interest and declared themselves inclined to agree. Much of their aid went to Kemal Ataturk Turkey.5 Take it out of the public library and understand 2022 that studying the history of demise of a Christian city in “PARADISE LOST”.

Ephesus

References:

  1. Milton, Giles. PARADISE LOST: Smyrna 1922,  Perseus Book Group, New York, 2008, p. 6.
  2. Milton, p. 88.
  3. Milton, p.288.
  4. Milton, pp.286-87.

5.Morton, p. 375.

Photos:

Photo 1- PARADISE LOST, Smyrna 1922

Photo 2- Izmir Museum, on site of old Greek quarter burnt in 1922.

Photo 3- Izmir Museum

Photo 4- Ephesus

Photo 5- Ephesus

A New Way of Telling a Classic Fairy Tale

 

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Cast of Sklavi

A classic fairy tale has been sweeping the theatrical scene of Modern Greece.  A new way of telling a folk tale that appeal to young and old is “To Sklavi” (son of a slave).  The Theatrical Company of Elementary Educators of Arcadia presented this unique play from June 3rd to June 13th in the late afternoon at the Apostolopoulio Culture Center of the City of Tripoli Greece. The play was written by Xenias Kalegeropoulou. It was honored with the Carolos Koun medal for 2000-2001.

“This is an enigmatic fairy tale,” explained the program. “For this reason it appeals to young and old. A Prince fell in love with the picture of a young woman.  He went through many adventures to find the lady. His half-brother, Sklavi, born of a slave, helped him. There was an entanglement between all the young persons that awakens young love and brotherly devotion.” A fairy tale or myth hides a mysterious meaning. They help man understand the world and his place in it. Dragons, curses and unrequited love excited the audience. The hero, Sklavi, was told by the dragon that if he told the truth, he would be turned to marble. Greek dance music from Western Anatolia and the Greek islands added to the excitement of the production.

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The King (Spiros Vardouniotis) having differences with his sons, the Prince (Efi Kagiouli) and Skalvi (Dimitris Simniotis).

This is a folk art myth from the island of Symi. It is a classic fairy tale played in Greece. Dragon, princes, slaves makes it a colorful play with humor of another world that no longer exists. In the beginning of 1900, the tale was written for the first time in a common, in Rhodes and Kos. The tale has its roots in the Western Greek Anatolian culture or “Mikrasiatica” that existed at that time.

“To Sklavi” has been translated into Russian, French and Bulgarian. This fairy tale ought to be translated into English. It should be performed in a bilingual context in Greek and English outside of Greece.

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Dr. John G. Siolas (left) with Evangelia Vardouniotis and actor Prof. Spiros Vardouniotis.

Many persons created this unique theatrical production. A complete list of the company and staff can be secured from http://voltastintripoli.blogspot.gr/2015/06/blog-post_35.html.  The actors and personnel bolded in the program included: Young Sklavi: Yannis Tsirkas; Skalvi: Dimitris Simniotis; Young Prince: Maritina Douvi; Prince: Efi Kagiouli; King: Spyros Vardouniotis; King: Thanasis Mpournas; Tzakiraxan: George Kazantzidis; Queen: Christina Arvaniti; Princess: Pola Tsipianitopoulou; Cousin: Natasa Nilolopoulou; Sklava-Teacher: Yiota dourida; Kyra Maro: Anastasia Argyropoulou; Old Man Tavern owner: Vasilis Chronopoulos; Midwife-Teacher: Anna Zafiropoulou; Physicians: Vasilis Chronopoulos, Panos Iliopoulos, and Thanasis Mpournas; Narrators: Eleni Papadopoulou, Ioanna Vemi, Yiota Karidi, Gogo Mpakopoulou; Music: Xanthianna Pierrakia, Yiota Dourida: Child actors: Orpheas Koliopoulos and Aphroditi Tsirka; Producer Froso Hatzopoulou. Special appreciation in the program was expressed for the following: The City of Tripoli for their donation of the Apostolopoulio Culture Center; the Tripoli Dance Company; Tasos Birbili “Museum of Ceramics and Folk Arts” private collection.

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program

Links:

http://voltastintripoli.blogspot.gr/2015/06/blog-post_35.html  – provided by Christo Macarouni

http://www.amazon.com/sklavi-3c4-3bf-3c3-3ba-3bb-3b1-3b2-3af-kalogeropoulou-xenia/dp/9600417636 – To Sklavi by Xenia Kalogeropoulou

https://www.youtube.com/watch?v=G2QaZrBl9FE – background on the fairy tale

https://el.wikipedia.org/wiki/%CE%9A%CE%AC%CF%81%CE%BF%CE%BB%CE%BF%CF%82_%CE%9A%CE%BF%CF%85%CE%BD  Karolos Koun award biography

https://plus.google.com/photos/113119187466714282240/albums/6160697248445095889?banner=pwa&sort=4 photo album

By Catherine Tsounis

A classic fairy tale has been sweeping the theatrical scene of Modern Greece.  A new way of telling a folk tale that appeal to young and old is “To Sklavi” (son of a slave).  The Theatrical Company of Elementary Educators of Arcadia presented this unique play from June 3rd to June 13th in the late afternoon at the Apostolopoulio Culture Center of the City of Tripoli Greece. The play was written by Xenias Kalegeropoulou. It was honored with the Carolos Koun medal for 2000-2001.

“This is an enigmatic fairy tale,” explained the program. “For this reason it appeals to young and old. A Prince fell in love with the picture of a young woman.  He went through many adventures to find the lady. His half-brother, Sklavi, born of a slave, helped him. There was an entanglement between all the young persons that awakens young love and brotherly devotion.” A fairy tale or myth hides a mysterious meaning. They help man understand the world and his place in it. Dragons, curses and unrequited love excited the audience. The hero, Sklavi, was told by the dragon that if he told the truth, he would be turned to marble. Greek dance music from Western Anatolia and the Greek islands added to the excitement of the production.

This is a folk art myth from the island of Symi. It is a classic fairy tale played in Greece. Dragon, princes, slaves makes it a colorful play with humor of another world that no longer exists. In the beginning of 1900, the tale was written for the first time in a common, in Rhodes and Kos. The tale has its roots in the Western Greek Anatolian culture or “Mikrasiatica” that existed at that time.

“To Sklavi” has been translated into Russian, French and Bulgarian. This fairy tale ought to be translated into English. It should be performed in a bilingual context in Greek and English outside of Greece.

Many persons created this unique theatrical production. A complete list of the company and staff can be secured from http://voltastintripoli.blogspot.gr/2015/06/blog-post_35.html.  The actors and personnel bolded in the program included: Young Sklavi: Yannis Tsirkas; Skalvi: Dimitris Simniotis; Young Prince: Maritina Douvi; Prince: Efi Kagiouli; King: Spyros Vardouniotis; King: Thanasis Mpournas; Tzakiraxan: George Kazantzidis; Queen: Christina Arvaniti; Princess: Pola Tsipianitopoulou; Cousin: Natasa Nilolopoulou; Sklava-Teacher: Yiota dourida; Kyra Maro: Anastasia Argyropoulou; Old Man Tavern owner: Vasilis Chronopoulos; Midwife-Teacher: Anna Zafiropoulou; Physicians: Vasilis Chronopoulos, Panos Iliopoulos, and Thanasis Mpournas; Narrators: Eleni Papadopoulou, Ioanna Vemi, Yiota Karidi, Gogo Mpakopoulou; Music: Xanthianna Pierrakia, Yiota Dourida: Child actors: Orpheas Koliopoulos and Aphroditi Tsirka; Producer Froso Hatzopoulou. Special appreciation in the program was expressed for the following: The City of Tripoli for their donation of the Apostolopoulio Culture Center; the Tripoli Dance Company; Tasos Birbili “Museum of Ceramics and Folk Arts” private collection.

 

Links:

http://voltastintripoli.blogspot.gr/2015/06/blog-post_35.html  – provided by Christo Macarouni

http://www.amazon.com/sklavi-3c4-3bf-3c3-3ba-3bb-3b1-3b2-3af-kalogeropoulou-xenia/dp/9600417636 – To Sklavi by Xenia Kalogeropoulou

https://www.youtube.com/watch?v=G2QaZrBl9FE – background on the fairy tale

https://el.wikipedia.org/wiki/%CE%9A%CE%AC%CF%81%CE%BF%CE%BB%CE%BF%CF%82_%CE%9A%CE%BF%CF%85%CE%BD  Karolos Koun award biography

https://plus.google.com/photos/113119187466714282240/albums/6160697248445095889?banner=pwa&sort=4 photo album